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How to Choose Watercolor Paper

Views: 26     Author: Site Editor     Publish Time: 2025-11-05      Origin: Site

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When choosing watercolor paper, the three key factors to look at first are material, texture, and weight.

1. Material

Watercolor paper is mainly made from three materials: cotton pulp, wood pulp, and cotton–wood blends.

  • Cotton Pulp Paper (100% Cotton)
    Made entirely from cotton fibers, this is the top choice for professional artists. It is ideal for all painting styles, especially those involving heavy washes, wet techniques, and important works.
    Advantages: Excellent water absorption; allows smooth blending and soft transitions; creates beautiful water marks; highly durable—can be scrubbed and reworked multiple times without pilling or tearing; long-lasting and resistant to yellowing, perfect for archival works.
    Disadvantages: Expensive.

  • Wood Pulp Paper
    Made mainly from wood pulp, this is the most common beginner-level option, great for quick sketches, practice, illustration styles, or artworks that emphasize clear water marks.
    Advantages: High whiteness and bright color display; produces crisp, sharp water marks; affordable.
    Disadvantages: Less absorbent and less durable than cotton paper.

  • Cotton–Wood Blend Paper
    A balance between performance and price, ideal for learners upgrading from wood pulp paper but on a budget.
    Advantages: Offers part of the absorbency of cotton paper while remaining more affordable.
    Disadvantages: Performance not as strong as pure cotton paper.

2. Texture

The texture of watercolor paper refers to its surface grain, which affects brushstrokes and the overall look of your painting. It comes in three main types: rough, cold-pressed (medium grain), and hot-pressed (smooth).

  • Rough
    Has a pronounced grain that gives a rich texture, ideal for painting rocks, walls, and other surfaces where you want a tactile, natural effect. However, it’s not suitable for detailed work.

  • Cold-Pressed / Medium Grain
    The most versatile and popular choice — a safe option when you’re unsure what to choose. It offers a good balance between texture and detail, suitable for landscapes, portraits, flowers, and most subjects.

  • Hot-Pressed / Smooth
    Very smooth surface with fast color flow, perfect for detailed work like illustration, portraits, and architectural sketches.
    Disadvantages: Dries quickly, making it harder to achieve soft washes; pigment tends to gather along brush edges.

3. Weight

Paper weight, measured in grams per square meter (g/m²), reflects its thickness. Thickness affects water absorption and whether stretching (mounting) is needed.

  • 190g/m² (90lb) and below:
    Thin paper that wrinkles easily when wet — must be stretched before painting. Best for small practice works.

  • 300g/m² (140lb):
    The most common standard weight. It may warp slightly when wet but remains stable for most techniques. Small paintings usually don’t need stretching, though large or very wet works should be stretched.
    Recommended starting point for beginners.

  • 600g/m² (300lb) and above:
    Very thick, like cardboard — doesn’t buckle even when soaked. No stretching required, but expensive.

Recommendations

Our store offers a full range of watercolor papers covering all materials, textures, and weights. We also provide custom sizes and packaging to meet different needs.

  • Students/Beginners: 300g wood pulp or cotton–wood blend, cold-pressed texture.

  • Hobbyists/Intermediate Artists: 300g cotton–wood blend or high-quality cotton paper.

  • Professional Artists/Studios: 300g cotton paper, texture chosen according to desired detail or surface effect.

  • Retailers (online or offline): Full range from entry-level to premium professional papers available.


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